Crap like this is why punk had to happen: tired old dinosaur
rockers flogging the deadest horses since Nietzsche wept, to ever-dwindling
effect. When the highlight of side one is a Peter Frampton cover (it beats the
Tom Petty cover, easily), you’re in trouble. McGuinn has nothing left to say (did he ever?),
co-writes all whopping four originals with Jacques Levy. Not even Neil Young
could probably do much with a song called “Dixie Highway,” and McGuinn/Levy do
far less. Only the closing track, “Russian Hill,” one of those
older/sadder/wiser songs all the 60s survivors seemed to be doing by 1975 or so, even
approaches memorable, and that’s mostly because of the haunted
arrangement, which takes hold almost in spite of McGuinn. Also, that is one hell of a losing streak his solo LP cover art is on, crikes.
Thanks!!!!
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