The Byrds all went rustic concurrently in the late 60s,
despite being apart. Unsurprisingly, Gene Clark did it best; while the
remaining official-Byrds began strip-mining the past for inspiration, Crosby
rotted away on a farm with CSNY, and the Burrito Brothers only slowly eased
into place, the best songwriting, melodies, and singing were all to be found
here—naturally, in the shadows of all those albums, in terms of public profile.
It is a literal expedition—down to New Orleans, from Memphis
to Colorado, crossing into San Bernardino (in the restored outtake “Lyin’ Down
the Middle”)—and unlike the space-age flight fixations of Roger McGuinn, Clark
still travels the old routes; “Train Leaves Here This Morning” is both song and
entire worldview. He drifts from one heartbreak to the next, and if it’s not
quite as sorrowful as subsequent solo albums, Dillard’s ace picking and strumming
has a lot to do with it. Clark is in righteous form as always, forlorn until he
tears it up on a (non-LP) “Don’t Be Cruel” that sounds like an instruction
manual for Gram Parsons, who wished
he could do this (and whose fellow Burritos pop up, including a mini-Byrd
reunion with Chris Hillman and Michael Clarke). It’s hard to believe these are
nearly all originals—they whisk by in under a half-hour, sounding effortless
and timeless.
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