“The planet earth was not ready for BLUE GRASS,” Chris
Hillman’s liner notes explain of the quartet he snuck into as a mere
high-school age mandolin picker, “so into the vault went our story … I put down
the mandolin, picked up the bass and became a byrdie.” The group never secured
a record deal, which is why its 1962-63 recordings emerged only at the end of
the decade, but not for lack of effort—notions of purity be damned, they
covered Dylan like every other young person with a guitar between JFK and the internet. Though Vern and Rex Gosdin (later affiliated with
another Byrd on Gene Clark’s first solo LP) run the show, Hillman sang lead on
the “When the Ship Comes In” cover, and the whole affair is sprightly,
enjoyable, and of sheerly archival value. It helps stake Hillman’s claim to
being the true OG of L.A. country-folk rock, but probably few will confuse this
for Bill Monroe.
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